Saturday, September 30, 2023

Take One Advertisers

Mary Jane's advertisement

New Life Records advertisement

We didn't have a heck of a lot of advertisers back in the Take One days, but a handful of companies were faithful from the first day, running regular ads and paying on time (important for a struggling publication!). Nashville attorney Bart Durham was one such advertiser, who came on board with the third or fourth issue...I remember ol' Bart cruising up to our Second Avenue office in his convertible sports car with payment for his ads. As regular as clockwork, he was...local printer Copies Unlimited was another regular advertiser; I worked there for about three days sometime in the 1980s. For my money, though, our two longest-running and most avid supporters were Mary Jane's on Elliston Place, and New Life Record shop on Charlotte in West Nashville. New Life's Lee Lane even contributed cartoons to the publication in later days. Thanx to both for their invaluable support!


Second Avenue, Then and Now...

176 Second Avenue North, 2019
176 Second Avenue North, 2019

176 Second Avenue North, 2022
176 Second Avenue North, 2022

On Christmas Day 2020 a mad bomber set off an explosion on Second Avenue North in Nashville right in front of where the Take One offices once stood. I remember following news reports on my phone that day from my mother-in-law's house, shocked that it had happened, and that it had happened in an area where I had so many great memories. New reports talk a lot about the bomber choosing the spot because of the AT&T facility on the other side of the street, but he may have well planned on taking out Take One's history as well...

During the Bell South strike in 1978, we allowed telephone workers to sit and picket on the sidewalk in front of the office; they used our bathroom, and a few Bell engineers even fixed up and improved our makeshift phone system. Thankfully, nobody was hurt in the Christmas bombing and, yes, Take One magazine was long gone by 2020. Looking at the top photo here, from 2019, you see the building's facade pretty much as it was back in 1977-78...a little shinier, perhaps, and better-dressed than in our day when the building owner was trying to put together cash for a rehab. The second photo, however, from 2022, shows the total destruction of the building that one housed Nashville's first alternative publication (as well as 176 Underground, a cool 1980s-era club that I frequented). 


Take One: December 1978

Take One magazine - December 1978
Columns
Give & Take (Letters To The Editor)
Calendar
Classifieds
Quickies
“176 Second” (Thom King)
Gut Reaction (Kurt Benz)
Leisure (Bob Millard)
Top of the Rock (Scott Perry)
Offbeat (Heine)
Performance: George Benson (Joe Gramelspacher)
On Record: Arlyn Gale, Baby Grand & Tanya Tucker (Brad Smythe); Bill Anderson (Sam Borgerson); Peter Tosh (Joe Gramelspacher); 10cc, George Thorogood & the Destroyers (Keith A. Gordon

Articles
Dungeons & Dragons (Curtis McGuirt)
$350 Dream Car, Part Three (Thom King)
A Nashvillian’s Encounter With the People’s Temple (Sam Borgerson)
Al Jarreau Interview (Alan Bernstein)

Our smallest issue ever, only 12 pages of top quality material. What can I say...money was tight!

PDF download of this issue [BIGGISH! 79mb - Right click and 'save as' to download]

Take One: July 1978

Take One magazine - July 1978
Columns
Give & Take (Letters To The Editor)
Calendar
Classifieds
Quickies
Trivia
“176 Second” (Thom King)
Reelings: ‘Horror Show’ (Laurie Schultz)
On Stage: Miracles of Modern Times (Judy Isenhour)
Nashville/Profiles: Mac McAnally (Sharon Bell), Jack Clement (Phyllis Martin)
Rumblings On the Row (Phyllis Martin)
Sound Sense (Steve Merit)
Leisure (Bob Millard)
Placeboes (Album Reviews): The Rolling Stones, Foreigner, Nantucket, Bob Dylan, Alan Parsons Project, Graham Parker, Michael Stanley Band (Keith ‘Starlight’ Gordon)
Placeboes: Steve Young, Bonnie Tyler, Ronnie Milsap, Janie Fricke, The Oak Ridge Boys, Jerry Jeff Walker (Sharon Bell)

Articles
Just Another Pretty Face (Greg Gardner)
Hey Four Eyes…A Consumer’s Guide To Optics (Thom King)
Doctor, there’s a gomer in the pit (Barbara Pinson)
Direct To Disk (George Juodenas)
Reunion: The Class of ’67 Has No Class (Victoria Webb)
Animals and Art (Ellen Caldwell)
Parthenon: New Sights In An Old Setting (Ellen Caldwell)
Center Floor (Sam Hughes)
Balls, Butterflys and Batons (Karen Zimmerman)
Recording Session Showdown: Nashville versus L.A. (Sam Borgerson)
Jazz (Alan Bernstein)
Perceptive Palate (Edna DeKabe)

PDF copy of this issue [BIG! 95mb - Right click and 'save as' to download]

Take One: December 1977

Take One magazine - Decmber 1977
Columns
Give & Take (Letters To The Editor)
Calendar
Classifieds
Places: A Woman’s Place To Come To (Victoria Webb)
Books: ‘Kinflicks’ (Mary Etta Cook)
Reelings: ‘First Love’ (Dave Badger), ‘Harvey’ (Harold Parker)
Nashville Profile: Don Schlitz (Sharon Bell), Geof Morgan (Sharon Bell), Karla Bonoff (Greg Gardner)

Articles
From Rocky Top To the Big Apple (Bob Millard)
The Coke Hustlers (Thom King)
Channel 4 News: It’s Not That Lonely At the Top (Bob Wyatt & Greg Gardner)
Gurgling Gourmet (Diane Bartley)
What I Don’t Want For Christmas (Victoria Webb)
Miles and Miles of Heart (Tom Miller)
Louisville Run (Jim Webb)
The Nashville Gospel Show! (Tim O’Connell)
A Family Tree (Will Joyner)

PDF copy of this issue [BIG! 114mb - Right click and 'save as' to download]

Sunday, September 24, 2023

Take One: October 1977

Take One Magazine - October 1977
Columns
Give & Take (Letters To The Editor)
Calendar
Classifieds
Onstage: Equus (Bob Wyatt)
Onstage: A Thurber Carnival (Bob Wyatt)
Reelings: ‘Between the Lines’ (Dave Badger), “I Never Promised You A Rose Garden” (Sharon Bell)
Books: The Unfinished Agenda (Scott Newton), I Never Promised You A Rose Garden (Sharon Bell)
Places: Sam’s Phoenix (Daryl Sanders)
Records: The Rolling Stones (Scott Lee), James Talley (Will Joyner), Pete Townshend & Ronnie Lane (Derek Fielding), Oak Ridge Boys (Derek Fielding)

Articles
Here Comes The Sun (Linda Wilson)
Behind The Scenes At TV 5 News (Bob Wyatt & Greg Gardner)
The CIA and the Wonders of Birth (Ruth Pearcy)
Unfurl the Pale Flag (Jim Webb)
Neighborhood Preservation (Greg Gardner)
Dave Loggins: The Evolution of A Romantic (Sharon Bell)
The Changing Musical Face of Music City (Daryl Sanders)
Cartoons: “Olisoop” (Heine)

PDF copy of this issue [BIG! 122mb - Right click and 'save as' to download]

Take One: September 1977

Take One Magazine September 1977
Columns
Give & Take (Letters To The Editor)
Calendar
Reelings: Bond Bounces Back (Dave Badger), “The Last Remake of Beau Geste” (Linda Wilson)
Concerts: Yes/Bad Company (Scott Lee)
Records: Roger Daltry (Scott Newton), The Alan Parsons Project (Jim Webb), The Grateful Dead (Scott Lee), Eddie & the Hot Rods (?)
Recommended: Freddie King, Firefall, Bob Marley, Rob Galbraith, Mac MacAnally (Kim Owen)

Articles
The Skateboarder’s Waltz (Greg Gardner)
The Education of A Prisoner (C. Samuel Poarch)
Night Moves In the Devil’s Triangle (Linda Wilson)
Forum: Bail Bond Reform (Doug Johnston)
Media: Waking Up With Steve Henderson (Thom King)
Paul Craft: The Black Sheep (Sharon Bell)
A Legend Passes [Elvis Presley] (Daryl Sanders)
The Appalachian Trail: A Photo Essay (Bobby Schatz)

PDF copy of this issue [BIG! 102mb - Right click and 'save as' to download]

Thursday, September 21, 2023

TAKE ONE HISTORY: STAFF & CONTRIBUTORS (1977-79)

Take One magazine party invite
It took many talented people to make the magazine happen over 2 1/2 years, and below are listed some of those that helped make the dream happen...

Thom W. King, Publisher (1977-79)
Tom Teasley, Publisher (1979)

John Harrison, Assistant Publisher (1979)

Charles Biderman, Editor-In-Chief (1979)
Constance Maxwell, Senior Editor (1979)

Greg Gardner, Managing Editor (1977)
Bill Hardigg, Managing Editor (1978)
Keith A. Gordon, Managing Editor (1978)
Richard Harbert, Managing Editor & Art Director (1979)
Travis Rivers, Managing Editor (1979)
Daryl Sanders, Managing Editor (1979), Nashville Editor
Scott Lee, Associate Editor
Cathey Arlt, Associate Editor

Chris Edwards, Political Editor

Will King, Music Editor
Scott Perry, Music Editor
Dave Badger, Film Editor

Craig T. Canan, News Editor
Hunter Harvey, Copy Editor

Bette Blackman, Calendar Editor
Susan Wilhite, Calendar Editor
Jan Simmons, Calendar Editor
Katherine Hamilton, Calendar Editor

Ken Ray, Astrologer

Sharon Bell, Arts Editor & Country Music Editor

John King, Photo Editor

Bobby Schatz, Art Director

Dan Surface, Marketing Director

Bob Millard, Sales Manager
Linda Rowland, Sales Manager

Larry Glick, Production Manager
Tom Heath, Production Manager

Toby Lee Washington, Office Manager
Camille Groves, Office Manager
Melinda Willard, Office Manager
Susan Armistead, Office Manager
Carleen Turelli, Office Manager

Laura Klemt, Office Assistant
Lisa Taylor, Office Assistant
Kim White, Typesetting

Advertising Sales
Mark Hoover
Kim Owen
Andy Zibart

Circulation/Distribution
Anne Blackman
Tom Woodard
Ezra Eichelberger

Contributors
Dani Aguila (cartoons)
William M. Akers (cartoons)
Katherine Alexander
Jeffrey Allen
Naomi Allen
Doug Anderson
Ame Arlt
Cathey Arlt
Anne Ashcraft
Diane Bartley
Sharon Bell
Hugh Bennett
Kurt Benz
Alan Bernstein
John Bills (cartoons)
Bob Blanton
Sam Borgerson
Parkes Brittan
Lloyd Brown
Ellen Caldwell
Craig T. Canan
Nicolle Chappin
Mary Etta Cook
Doc Couch
Robert Corlew
Jane Crouch
Adell Crowe
Chip De Vilbus
Edna DeKabe
Kelly Delaney
Marshall Falwell, Jr.
Derek Fielding
Ed Fitzgerald
Randy Ford
Sarah Ann Ford
Ken Frasure
Karl Frisch
Greg Gardner
Ed Gilbert
Keith A. Gordon
Joe Gramelspacher
Alex Griffin
Walter Hale
Scott Haller
Neal Hampton
Jann Harrison
Hunter Harvey
Tom Heath
John Heine (cartoons)
Laurie Heise
Will Henley
Huell Howser
Al Huebner (cartoons)
Sam Hughes
Rick Hull
Judy Isenhour
Doug Johnston
Emily Jorgeson
R.L. Jorgeson
George Juodenas
Will Joyner
Gary Kanter
John King
Stacey King
Barbara Kurland
Helen Larkin
Joni Lawrence
Nancy League
Scott Lee
David Lindsey
Patricia Lipman
Bill Littleman
John Lomax III
Joan Mahan
Kay Mahan
Phyllis Martin
Joe Matulich
Glen McCandless
Curtis ‘C Ra’ McGuirt
Matthew McClure
Steve Merit
Bob Millard
Tom Miller
Scott Newton
Tom Nichol
Pat Nunally
Tim O’Connell
Sarah T. O’Toole
Harold Parker
Tom Patrick
Ruth Pearcy
Scott Perry
Alis Pettit
Leagh Phillips
Barbara Pinson
C. Samuel Poarch
Laurie Poole
Ken Ray
Valerie Ridenour
Henriette Rousseau
Tom Rutherford
Mike Sain
Steve Salonsky
Daryl Sanders
Laurie Schultz
Jessica Shaw
Talmadge Sherron
Jerry Shields
Jan Simmons
Katherine Simpson
Brad Smythe
Allen Steele, Jr.
Mark Stengle
Lynette Stone
Gail Thomas
Elizabeth Thiels
Gail Thomas
Bob Tigert
Turrell Twist
Don Van Pietersom
Vicki Walker
Ginger Walsh
Leslie Ward
Jim Webb
Victoria Webb
Pudge Wilkins
Linda Wilson
Steve Womack
Eric Wood
Bob Wyatt
Tim Yager
Karen Zimmerman

Photographers
Cathy Arlt
Susan Armistead
Ann Ballard
Mark Booth
Dax Cantrell
Suzanne Cantrell
Melodie Gimple
Stuart Goldstein
Ron Gregory
John M. King
Will King
Scott Lee
Del Long
Leagh Phillips
Mark Quinn
Mark Reichenbach
Bobby Schatz
Clark Thomas
Mark Wiener
Tim Yager

PUBLISHING BOOT CAMP ON SECOND AVENUE

Keith A Gordon business card
 

Learning to publish a magazine on the fly with no budget and minimal staff…

During the summer of 1977, I was working construction in the Nashville area and hating it when I ran into my high school compadre Thom King one afternoon at Shakey’s Pizza in Green Hills. Thom had just launched Take One magazine, Nashville’s first true alternative publication, and I wanted in on the fun. Over a pitcher of beer, I convinced him to bring me on as a music critic, something I had a few years of experience with, previously writing for the local music rag Hank as well as the Illinois-based publication Sunrise while we were in school together.

Little did I know, at the time, what I was getting myself into…somewhere around the magazine’s second year, the already-miniscule staff attempted an editorial coup and ended up leaving en masse, with only myself, Thom and his brother John, and a couple other writers (Scott Perry and Sam Borgerson) remaining. From the original office space on the third floor in the Goodie’s warehouse, we moved down the street a block to a pre-Civil War warehouse at 176 Second Ave North with lots of space, no heat or air conditioning, more than a few mice, and a flock of pigeons living on the top floor. Stairs between floors were non-existent, and the freight elevator broke down frequently, but the rent was cheap as hell, a necessity for a publication with a shoestring budget.

Compugraphic CompuWriter II
In the wake of the staff exodus, Thom, John, and I (and sometimes Sam) had to wear many hats, and our office became a literal ‘boot camp’ in periodical publishing. With their vast experience, Thom and John taught me the ins-and-outs of photography; I learned to typeset the magazine’s articles on a Compugraphic CompuWriter II phototypesetter, a $6,000 behemoth that weighed close to 600 pounds and which would become obsolete in a few years when the PC pioneered the technology era. We pasted the resulting galleys (strips of photographic paper with text) to gridded boards with hot wax to create “camera ready” copy for the printer, leaving holes (with appropriately-sized Rubylith inserts where photos would go). From writing to typesetting to lay-out, I learned just about everything from A-Z in publishing a magazine.

I even got involved in advertising – not from a sales perspective (which was handled largely by Thom and, later, Bob Millard and others) – but in collections. It was amazing how many local businesses were willing to stiff a small, struggling publication, and Thom would send me out in full biker regalia to collect what was owed. Since a percentage of these collections were all the money I made from the magazine, I encouraged, coaxed, and chastised accounts into paying. A local hairdresser, who always paid on time, came up with a scheme where he’d slip me an extra $50 to come stomping into his salon and threaten him in front of his assembled friends and customers, so that he could tell me that he’d pay when he was damn well ready.

He came off as a tough guy (he wasn’t) but I went along with his charade ‘cause I was basically living at the magazine office for much of 1978 and making $40 a week…just enough for gas for my ’73 Satellite Sebring and beer and pizza on Friday nights. Thom’s parents made sure that we had enough food to eat during the week (although to this day I can’t stand pimento cheese on white bread) and Sunday dinners at their house was a treat (Mr. and Mrs. King were genuinely nice people who treated me like a third son). Thom wasn’t getting rich off of Take One, either, and even when he temporarily sold a controlling interest in the magazine he used the cash to pay off the bills we’d already racked up publishing Take One.

Take One's makeshift office cubicles
Take One's makeshift office cubicles

For a few months, Take One relocated from Second Avenue to an office above the concession stand at Fair Park on Nolensville Road when the scion of a wealthy Nashville family invested in the magazine. The naïve young man was in love with one of our lovely young female photographers and, after a lengthy courtship (Thom milked him for every free dinner and handball game he could), a corporation was formed, money was spent, and we had to move the monster typesetter to the second-floor office at Fair Park. Thom’s new partner invited me to his Belle Meade mansion (with a Ferrari in the garage) for dinner to offer an insulting $50 a week to keep doing the job that I was essentially doing for free. He ended up writing me a check for $300 to leave without harming him (something I really had no thoughts of doing) which I subsequently used to pay off my tab at Shakey’s Pizza.

If the rich kid ever saw the hundreds of dollars of handball equipment that I bought on his credit card during one of his numerous games with Thom (and later sold out of the back of my car at the club), he never mentioned it (he gave me the card to drink at the club bar while he and Thom were “talking” bizniz). Still, his investment allowed us to feature color covers and interior photos, pump up the page count, and publish a fairly impressive-looking zine. Sadly, his ardor cooled a bit after a few months, after he’d married the photographer he lusted after, and he sold the magazine back to Thom for a pittance. We dragged the 600-pound typesetter down the stairs and back to Second Avenue where, since there was still money left in the corporate account, we published a couple more issues before looking for another investor.

After an educational year living in abject poverty in a too-hot or too-cold warehouse with a century of dirt and dust floating around, I moved from Nashville to Detroit to start writing the second chapter of adulthood. I continued writing for Take One and, when a negligent investor basically bankrupted the magazine, I wrote for its successor, The Nashville Gazette, even covering the 1980 Republican Convention in Detroit where Ronnie Raygun was coronated and the conservative era of American politics was born. I consider my time with Take One as well-spent, a crash course in publishing that no school could offer, and I’ve carried those lessons forward as I attempt to establish my own book publishing company.

I’m not sure how we did it, but Take One magazine published 28 issues over roughly 2½ years, on a more or less monthly basis (as Thom always said, “some months are longer than others”) with little or no budget but lots of passion and enthusiasm. I remained friends with Thom until his premature death in 2020 and subsequently worked with him at both his plastics company (Kingpins) and on various book publishing project. This archival site has been created to honor Thom’s memory and that of his first great idea, Take One magazine!

Thanx and a tip o’ the hat to former Take One staffer Larry Glick, who donated a bundle of the magazines and thus inspired this project… 

Sunday, September 10, 2023

HOW I SPENT OVER $100,000 TO GET SOME FREE RECORDS

Take One magazine logo
 

A Partial History of Nashville’s Take One Magazine


By Thom W. King

From August 1977 to September 1979, I published a magazine called Take One here in Nashville. What started as a 12-page black and white monthly tabloid with a circulation of 5,000 copies grew (partially with the help of a New York investor who later went bankrupt and took my magazine with him) into a weekly, colorful magazine with a circulation of 50,000 copies per issue.

During that time, we published over a million copies of what we feel was a lively, entertaining magazine devoted to music, art, politics, food, and lifestyles, plus whatever else we could cram in before deadline. Over 400 writers, artists, photographers, poets and other romantic souls contributed to the creation, nurturing, and survival of the publication during its brief life.

We did features and inside stories on such “related” subjects as cockfighting, the KKK, nuclear power, tourist traps, local TV news, dream cars, health food hazards, toxic waste, Tennessee cowboys, Mensa, passenger trains, jogging, holiday greed, Jimmy Carter, Nashville’s future, present, and past, neighborhood preservation, playgrounds in jeopardy, male prostitutes, gay rights in pre-AIDS America, Death Row…oh yeah, and we also interviewed rock stars, featured outrageous cartoons, got sued by large corporations we reported on (and thankfully we never lost a case, regardless of how big the boys we pissed off were). And we had huge quantities of fun and heartbreak. At the same time.

Take One publisher Thom King on Second Avenue North, 1978
Take One publisher Thom King on Second Avenue North, 1978
 

Tell us some stories, Old Man! Okee-dokey, little ones. Hang on! We lost female reporters to rock stars, including one who went out to Elliston Place for a concert review and called in two weeks later from Detroit, still high, in lust, and, unfortunately, without any money to get home. Her blonde hair and 18 (maybe) year old body had lost its appeal mid-tour of a major British legend.

We had a dead body show up on the back door of our five-story Second Avenue warehouse (30,000 square feet of space we baby-sat for $125 a month while the developer was putting his renovation together). We saw a dozen police cars roar up in the night, take the body away, and then never saw anything about it in the daily papers…something about stealing a mail truck?

We went to record label parties ‘en mass’ and drank everything behind the bar (first to come, last to leave, got no money but boy can we write…what a motto for a magazine staff). We were a blitz of hungry, thirsty wolves and we would attack without thought. Woe be the unsuspecting Music Row public relations beginner who innocently sent a little invitation to our offices only to see ‘The Sucking Heard of Zombie Journalists’ wipe out their entire party.

We had fights with the public, with ourselves, sometimes with total strangers. We worked with geniuses and total idiots, and I’m still not sure which column was which. We earned about ten cents per hour, and religiously fought for the right to keep on working. We sold our blood and plasma to keep things going. We unknowingly bought a typesetter that turned out to be hot (what are the odds of that?). We saw new artists become superstars, we saw writers become millionaires (Yo, Don Schlitz, My Man!), we saw former staff members become published national writers (Yo, Bobby Millard, My Man!), we saw skinny, unknown struggling country singers running naked around the hot tub and now we see them rich and fat on The Today Show (Yo, well, never mind…too many people might recognize your cute little butt and be shocked with the national image you now present to millions).

Talent was literally in every nook and cranny. Even our typesetter for a few weeks was one Kathy Mattea, who is now hooter than the majority of Nashville legends. I was in awe of her talent even then, but the fact that she could and would typeset for minimum wage or so was even more awesome. Hey, life was passionate. Every time an issue finally came rolling off those assorted presses, it was a religious experience. We changed printers every time they increased their prices…so, we were schlepping this magazine all over Kentucky, Tennessee, and Alabama for any place with a half-million-dollar printing press, of which there were a surprising bunch, even in places like Ardmore AL, Bowling Green KY, and Franklin TN.

It was like giving birth to the biggest, meanest, stubbornest, and often ugliest monster in creation. And we did it 28 times. And every time was harder than the time before. And we bled like hell. Got drunk. Got laid. Got sick. Got up. And then we started all over again. Great life! Over the two years, I spent all my money, all my friends’ money, all my family’s money, in fact well over $100,000. And all I was really trying to do was get into a few concerts for free and pick up some promo records. Was it worth it? Does a spinal tap hurt?

For the record, I’m now 33, still single, and since those Take One days, I’ve gotten some sleep, a bit of a tan, and a small farm out in Williamson County. I’ve worked in radio news, cable TV programming, advertising & publicity, and I was even the U.S. Government’s ‘Official Staff Photographer’ for the 1982 World’s Fair (I didn’t work for Jake Butcher, I took photos of everything as evidence for the Dept. of Commerce). I met everyone from President Reagan to Philippines President Marcos to Jimmy Carter to aerobic bombshell Jayne Kennedy (you figure the logic…).


I became an inventor, and presently own a plastics manufacturing company. My products are used internationally and even locally, by banks, hospitals, restaurants, even such recording artists as Randy Travis, Gary Morris, Sawyer Brown, and, yes, Kathy Mattea, thought she probably doesn’t know her former friend makes them for her. I’ve developed a summer fad for students worldwide, a line of fashion earrings for co-eds, and other assorted goodies to make money. And last week, after six months of complete and total agony from literally crippling back pain, I had surgery for a ruptured disc that was paralyzing me.

And you know what? While I was in the hospital bed, actually not knowing whether I would ever walk again, the things I thought about the most were putting out a stupid magazine. I’m serious. Those were the days! Best to all the folks at The Metro. Long May You Reign!

Written for the fifth anniversary of The Metro magazine, August 1990